Photo by Hermman Rosso, © Jory Vinikour
Jory Vinikour is recognized as one of the outstanding harpsichordists of his generation. A highly-diversified career takes him to the world's most important festivals, concert halls, and opera houses as recitalist and concerto soloist, partner to many of today's finest instrumental and vocal artists, coach, and conductor.
Born in Chicago, Jory Vinikour came to Paris on a Fulbright scholarship to study with Huguette Dreyfus and Kenneth Gilbert. First Prizes in the International Harpsichord Competitions of Warsaw (1993) and the Prague Spring Festival (1994) brought him to the public's attention, and he has since appeared in festivals and concert series throughout much of the world.
A concerto soloist with a repertoire ranging from Bach to Poulenc to Nyman, he has performed as soloist with leading orchestras including Rotterdam Philharmonic, Orchestre de la Suisse Romande, Lausanne Chamber Orchestra, Philharmonic of Radio France, Ensemble Orchestral de Paris, Netherlands Chamber Orchestra, MDR Symphony Orchestra, Cape Town Symphony Orchestra, Moscow Chamber Orchestra, and the Royal Scottish National Orchestra, with conductors such as Stéphane Denève, Martin Haselböck, Marek Janowski, Armin Jordan, Benjamin Levy, Fabio Luisi, Marc Minkowski, John Nelson, Gordan Nikolic, Constantine Orbelian, Victor Yampolsky, et al. He participated in a recording of Frank Martin's Petite Symphonie Concertante with the Lausanne Chamber Orchestra under the direction of Armin Jordan (Suisse Romande, 2005).
Well-known as an accompanist, he has worked extensively with artists such as David Daniels, Hélène Delavault, Vivica Genaux, Magdalena Kožená, Annick Massis, Marijana Mijanovic, Dorothea Röschmann, and Rolando Villazón. He has accompanied legendary Swedish mezzo-soprano Anne Sofie von Otter in recitals in Sweden, Norway, Spain, and Paris, as well as at Milan's storied Teatro alla Scala. With lutenist Jakob Lindberg, their programme of English and Italian music of the 17th Century, entitled Music for a While, was released by Deutsche Grammophon in early 2005.
As an active exponent of contemporary repertoire for the harpsichord, he has given the premieres of works by composers such as Harold Meltzer and Frédéric Durieux, Stephen Blumberg, Patricia Morehead, Graham Lynch, etc. written for him. He has also given important performances of works by Ligeti and Michael Nyman, as well as several 20th century concerti, including Cyril Scott's 1937 Harpsichord Concerto, which Mr. Vinikour prepared and edited for Novello Editions. Sono Luminus released Toccatas, his recording of modern American harpsichord works, in late 2013.
Mr. Vinikour appears regularly as harpsichordist at the finest opera houses and festivals in Europe: Paris Opera, Netherlands Opera, Salzburg Festival, Teatro Real de Madrid, Baden-Baden, Glyndebourne, etc. in Baroque and Classical repertoire, as well as in more contemporary works (notably Stravinsky's The Rake's Progress and Zimmermann's Die Soldaten) and is heard on many recordings from Deutsche Grammophon, EMI, Erato, Sony Classics et al., including critically-acclaimed DGG recordings of Mozart's Die Entführung aus dem Serail and Le nozze di Figaro conducted by Yannick Nézet-Séguin. In July 2017, he played continuo for the next installment in Nézet-Séguin's Mozart cycle, La clemenza di Tito, with Rolando Villazón singing the title rôle.
His recording of Bach's Goldberg Variations, released on Delos International in 2001, received excellent reviews throughout the world. John von Rhein of the Chicago Tribune named it as one of 2001's Top Ten Classical CDs, an honor that was also accorded to Mr. Vinikour's recording of Bach's Toccatas in 1999. Mr. Vinikour's 2009 Delos release of Händel's 1720 Suites for Harpsichord has received wide critical acclaim, American Record Guide naming it the finest recording of these works. Partnering with flautist Joshua Smith, their recording of Bach's Sonatas for flute and harpsichord garnered attention from around the world. His debut recording for Sono Luminus, the Complete Harpsichord Works of Jean-Philippe Rameau, was nominated for a 2012 GRAMMY® award in the category of Best Classical Solo Instrumental Recording. Mr. Vinikour received a second GRAMMY® nomination for his Sono Luminous disc Toccatas. Mr. Vinikour's impressive discography has continued to expand with critically-praised titles including a Delos recording of Padre Antonio Soler's Six Concerti for two keyboards with Philippe LeRoy. His Sono Luminus recording of Bach's Partitas for solo harpsichord (BWV 825 - 830) was released on 18 November 2016.
Recent appearances include his début as conductor/soloist with the Hong Kong Philharmonic, as well as an appearance with Lyric Opera of Chicago in Händel's Rinaldo, for which he earned exceptional praise from the press. He performed Poulenc's Concert Champêtre with the Nertherlands Radio Chamber Orchestra under the baton of Benjamin Levy. Mr. Vinikour directed the Korea Chamber Orchestra (Seoul) in an all-Bach programme in May 2012, was guest director of Perm, Russia-based musicAeterna in a mixed programme, and has co-directed (with violinist Monica Huggett) Juilliard415 Baroque Orchestra at Carnegie Hall, accompanying soprano Dorothea Röschmann and counter-tenor David Daniels. Mr. Vinikour has given masterclasses for Rocky Ridge Music Center in Colorado; the Austrian Baroque Academy in Gmunden, Austria; the European Academy at the Palazzo Ricci Montepulciano; the University of Chicago; the Gnessin Academy; and the Moscow Tchaikovsky Conservatory.
Mr. Vinikour made his operatic conducting début on 6 August 2016, leading West Edge Opera's [Berkeley, California] production of Georg Friedrich Händel's Agrippina, staged at Oakland's abandoned Sixteenth Street Station, and he led Chicago Opera Theater's production of Henry Purcell's The Fairy Queen in November 2016. In December 2016, he led Aberfoyle Baroque's unique presentation of The Art of the Fugue - The Opera. Capitol Opera Richmond's production of Mozart's Bastien und Bastienne brought him to Richmond, Virginia, for performances in February and March 2017. In August 2017, Mr. Vinikour conducted soprano Verónica Cangemi and Camerata Bariloche in a concert featuring music by Händel and Mozart, presented in Buenos Aires’s Centro Cultural Kirchner.
In December 2017, Mr. Vinikour débuted with the St. Louis Symphony Orchestra on the podium—and at the keyboard—for three performances of music by Corelli, Marcello, Torelli, and Vivaldi, featuring soloists Avi Avital (mandolin) and Jelena Dirks (oboe). He welcomed 2018 in Milwaukee, Wisconsin, where he led Florentine Opera's double bill of Blow's Venus and Adonis and Purcell's Dido and Aeneas.
In March 2018, Mr. Vinikour made his highly-anticipated début with The Cleveland Orchestra as harpsichord soloist in performances of Francis Poulenc's Concert champêtre, of which work he is a noted champion and to which he returns in two performances with Saarländisches Staatsorchester in November 2018.
In January and February 2019, Mr. Vinikour will conduct a double-bill of Mozart’s Bastien und Bastienne and Der Schauspieldirektor at Salzburg’s Mozartwoche, at the invitation of Rolando Villazón. His operatic work continues when he leads Florentine Opera’s March 2019 production of Claudio Monteverdi’s L’incoronazione di Poppea. Later, in May 2019, he will join Orchester Wiener Akademie and Martin Haselböck for a performance of Poulenc’s Concert champêtre in Vienna’s storied Musikverein.
An extension of his widely-respected endeavors as both harpsichordist and conductor, Mr. Vinikour's advocacy for historically-informed performance practices and expanding access to world-class performances of Early Music is manifested in his founding and leadership of Great Lakes Baroque, an organization committed to bringing Baroque music to metropolitan Milwaukee.
For conducting engagements, Mr. Vinikour is represented by Schwalbe and Partners.
[Revised 19 September 2018]